photo:
Sebastian
Edge
sources: nastylittlman / rockarchive
a linky link.
story; S.E.: “The band wee really
good to work with and got right into the process. Each photograph
is like a conversation, almost collaborative, it was an interesting
few days, which I won’t forget. It was a difficult choice to make
because it doesn’t feel right to cash in on someone else’s success,
nor does it help you in the long run, but it seemed like a really
good way to make the most of a high-profile project and raise funds
for a photography project that I really believe in.”
In january, 2011 Edge was approached by Radiohead, whose bassist,
Colin Greenwood, has an interest in analogue processes and 19th
century photography. In 2011, a few days before The King of Limbs
was due to be announced, Sebastian travelled to Oxfordshire where
he spent 1 day at their studio and 1 day in local woodland to make
the image.
He said: “I’ve been experimenting with photographic methods for
years and had made a large camera that I thought would be perfect
for the shoot. The band were really excited about the photograph
and got into the shoot. It was an interesting process as it soon
became a conversation with the band, rather than just a few pictures.
The nature of the long exposures means subjects willingly submit
to my photographs, but for this one, you can see they moved their
arms move - it was an interesting response. It was a privilege to
work with Radiohead. They understood my process and methods and
through working with them I have come to understand a little of
theirs. I feel very lucky that they saw something in a few pictures
on my website.”
The band have allowed him to sell prints of the image which will
fund the North London Darkroom, a project to safeguard traditional photography
techniques.
this
short clip demonstrates processing these images to prints |